ANTIQUE 19thC FRENCH CHINOISERIE SOLID SILVER TEAPOT, JEAN-VALENTIN MOREL c.1840
19th Century French Chinoiserie silver teapot, of round form resting on a flat base, the plain body applied with finely and profusely chased panels with figures in a landscape, surrounded by cross-key boarders, the handle and spout imitating bamboo and the finial in the form of a flower.
Hallmarked with Dutch import mark (crowned V), a French lozenge mark and stamped with a retailers mark for MOREL & CIE for Jean-Valentin Morel.
Reference Number: A6828
DESCRIPTION
Antique 19th Century Exceptional French Chinoiserie solid silver teapot, of round form resting on a flat base, the plain body applied with finely and profusely chased panels with figures in a landscape, surrounded by cross-key boarders, the handle and spout imitating bamboo and the finial in the form of a flower. The piece is very unusual, extremely fine and crisp, standing on a carved wood stand. Hallmarked with Dutch import mark (crowned V), used between 1814-1893, a tax mark applied to all imported, unmarked foreign objects, also with a French lozenge mark and stamped with a retailers mark for MOREL & CIE. (Jean-Valentin Morel, Active between 1794 and 1860)
A student of Adrien-Maximilian, maker of gold boxes to Louis XVI and Napoleon. In 1818 he started working independently and registered his first mark in August 1827 and later went to work with the Fossin brothers in 1834, remaining there until 1840. From 1842 - 1848 Morel was in partnership with the French architect Henri Duponchel (1794-1868) establishing themselves as Morel et Cie, where they became known for their renaissance revival objets d' art to the designs of Jules Peyre and Constant Sévin. At one point they employed 80 workers and won a gold medal at the Exposition des Produits de l'industrie of 1844 in Paris. However, their partnership ended acrimoniously in a lawsuit that resulted in Morel being prohibited from working in Paris again.
The revolutions of 1848 caused Morel to flee to London, he became established in New Burlington Street with financial backing from collector Edmond Joly de Bammeville. Registering his London mark in 1849, he continued to produce the highest quality silver and jewellery. At the Great Exhibition of 1851, he was awarded a Council Medal, showed a number of items at the Exhibition, notably including paperweights of various designs. Morel returned to France in 1852 and won the Grand Medaille for goldwork and jewellery at the Paris International Exhibition of 1855. There he exhibited his famous bloodstone and enamel cup depicting Perseus and Andromeda, commissioned by Henry Thomas Hope.
CONDITION
In Great Condition - No Damage.
SIZE
Height: 21cm (with stand)
Width: 25 x 16cm
Weight: 765g